Excited to announce my Floral Essence series is now in print🌺.
This 7” x 7” monograph features 29 vibrant flower images across 42 pages. Available in softcover ($19.95) and hardcover ($39.95) plus $5 postage.
Sharing these images on social has been so rewarding, and now I’m thrilled to offer this curated print edition.
Share with someone you know who loves nature, flowers and photography.
Email me to order your copy and bring a touch of floral art home.
WayneEastep@gmail.com
Curated Collection of flower photographs printed in the monograph Floral Essence
Series: Floral Essence #8 Amaryllis
The series “Floral Essence” comes to a finale. A post about the Amaryllis feels like the perfect subject at the right time with which to conclude this series.
As holidays near, wax-dipped Amaryllis bulbs show up in the shops, ready to brighten the gray winter days with color.
Named from the Greek word for “to sparkle,” it is fitting that the Amaryllis blooms in winter, around Christmas.
Given their sturdy stems and vertical profile, Amaryllis symbolize strength, pride, and determination. When the flowering phase ends, you can cut the stem and preserve the bulb; it will flower again next year. With proper care, it can live for up to 75 years.
Thank you for following Floral Essence. It has been an inspiring journey through the language of flowers.
An exceptional monograph is on the way, stay tuned!
Back to work on a new series about a different subject.
To see these Flowers and more, visit my website at: www.wayneeastep.com
Amaryllis buds “to sparkle”
Series: Floral Essence #7 Feather Grasses
Feather Grasses, like these near Sergeyevka, Kazakhstan, have grown for millennia in the thin topsoil of the Steppes; some varieties are now scarce or endangered species. The Steppes were covered in this ideal pasturage prior to the Soviets’ misguided Virgin Land Reclamation policy of the 1950s, under which nearly 25 million hectares (approximately 62 million acres) of the northern Steppes were plowed to plant wheat.
The feather grasses provide nutrition for horses, cattle, sheep and goats, ensuring a sustainable food source for nomads.
The sea of grasses move in waves with the wind, nurturing a soul that’s living in relationship with nature.
Book; Floral Essence. coming soon
To see more images of flowers visit: Wayne Eastep.com
Feather Grasses in the Steppes of Kazakhstan
Series: Floral Essence #6
Giant Stapella Cactus
One of the gifts of growing plants is the time it offers for observing their quiet transformations, from the first emergence to eventual passing.
My sister Victoria gave me a cutting from this cactus, and over many months I watched it evolve.
Gradually, as the cactus revealed new shapes and gestures, it seemed to tell a quiet story about what it was and how it was changing.
Using my camera, I captured moments that brought both satisfaction and reflection, preserving memories that deepened my connection with the plant.
This series of images is part of a larger collection called Floral Essence. I’ll share more about that in the near future.
To see this image and more flower pictures, visit the gallery Flowers at:
Series: Floral Essence #5
Snapdragons Dancing in the Wind
Practicing photography can be much like practicing meditation. Both invite us to slow down and truly see. They heighten our awareness, sharpen our attention, and help us become more attuned to the quiet details that often pass unnoticed. This image is an expression of that mindful practice.
While driving near Sarasota, a field of snapdragons caught my eye—just a glimpse of color in my peripheral vision. I pulled over, spoke with the property owner, and was welcomed to wander the field with my camera.
As I began photographing, a gentle wind set the flowers in motion. In that moment, I saw not simply a field of snapdragons but blossoms dancing in the wind. I worked to capture the movement of the wind through the petals—more than a still image, a sense of motion and energy.
This photograph is the outcome of years of patient observation and practice. It also reflects what happens when we allow the mind’s eye to see beyond what is in front of us—when imagination meets perception, and feeling becomes form.
This series of images is part of a larger collection called Floral Essence. I’ll share more about that in the near future.
To see this image and more flower pictures, visit the gallery Flowers at: www.wayneeastep.com
Snapdragons blossoms moving with the wind
Series: Floral Essence
#3 Amorphophallus titanum
The Amorphophallus titanum is the largest unbranched inflorescence flower in the world. The plant grows to between 6 and 12 feet tall. With a name and size like that it’s no wonder it makes the news when it blooms.
From bulb to bloom can take up to ten years. After that long wait the bloom only lasts for about 24 to 48 hours. The plant originates in Sumatra in Indonesia.
Because of this plants unusual resume I thought how can I make an image that suggests its dramatic presence. I settled on cross-processing some of the images to evoke the energy of this amazing plant. Cross-processing is when you use positive film and process it in negative chemistry. Doing this you never know what you’ll get.
This series of images is part of a larger collection called Floral Essence. I’ll share more about that in the near future.
To see these images and more flower pictures visit the gallery Flowers at www.wayneeastep.com
Photographs of flower Amorphophallus titanum
Sunflower | Golden Ratio, Golden Bloom
Series: Floral Essence #2 Sunflower
As we were driving along the border of Kazakhstan toward Mongolia, we crested a hill. The field in front of us, all the way to the horizon, was filled with sunflowers as far as the eye could see. I had our fixer pull over. I got out of the jeep, went into the field, and made a series of images of the golden carpet of sunflowers in full bloom. It knocked me out!
Over the next couple of years, the magnificence of those sunflowers remained alive in my memory.
I wanted to learn more about sunflowers. My curiosity was not just about the beauty of their bright blossoms, but what they were all about. I ordered mammoth sunflower seeds, planted the seeds in a circle in my yard, waited, and watched. Over three months, I photographed the stages of growth from seedlings to decline. What I observed increased my appreciation for their beauty but raised even more questions.
Why did every flower develop a similar spiral pattern? Why were the seeds packed in so tightly and at an angle? My research revealed many connections between nature, mathematics, philosophy, and the rich history of intellectual inquiry — more on that in a later post.
The short-form answer to my questions is that the spiral pattern and the angle of the seeds in the sunflower represent the most efficient way to pack seeds in space and ensure reproductive success. The spirals are called “golden spirals,” reflecting Fibonacci numbers. The elegant angle of the seeds to each other aligns with the “golden angle’’. The pattern of the seeds in the sunflower represents what, in mathematics and aesthetics, can be called beauty — more on that in a future post. Leonardo Da Vinci described this phenomenon, which can also be seen in hurricanes, galaxies, pinecones, and pineapples, as the “Divine Proportions”.
One day, when the flowers were reaching maturity, I watched a pair of wild Brazilian Green Parrots as they fed on the seeds. The two parrots took up positions next to each other on two sunflowers. While one ate, the other stood guard, watching for any threat. After a while, they switched roles. The one guarding then ate, and the other provided protection.
Sunflowers blend mathematics and beauty
Abstract Images are a common feature in our minds and world
Abstract art can help us see parallels and sense echoes between our aesthetic expression and forms in science and nature.
At first glance, these images appear to be abstract art. Under closer examination, we see that they are scientific images of the ocean floor indicating deposits of gas, crude oil, and voids.
Imaging of the brain produces similar abstract images.
We have a natural capacity to know these shapes and use them in abstract art. Upon deeper reflection, we realize that we have the capacity to understand and express these insights through art.
The cognitive function of the brain is what we refer to as the mind. Therein lies a universe of symbols and archetypes that manifest as innate knowledge. This may be why we are touched by abstract art. The art does not objectively describe something that exists as an object. It expresses something that we feel and know, almost like a memory from a dream
To see these images and others in my photographic archive, visit my website: WayneEastep.com
Abstraction in our minds, art and science.
A Visual Meditation
You don’t have to travel the world to find peace and calm. I’ve done that for you. Put this print on the wall of your home or office and have immediate access to a visual trigger that will transport you to a place of pure air, water, and calm.
To order this image, contact me directly to discuss an appropriate print size for your space. WayneEastep@Gmail.com
When you’re ready to look at more images like this, visit the image archive on my website: https://tinyurl.com/4t2sa3pp
Visual peace and calm in your space.
The moon sits like a silent eye in the sky observing the earth.
Its phases serve as markers of time.
The lunar eclipse reminds us in dramatic and beautiful ways that there are three of us sharing the heavens; the sun, moon, and earth.
The physical phases of the moon; new, full, waxing, waning, bright, dark, rising, and sitting all serve as visual poetry about life as seen in the cycles of the moon. The reappearance of the moon every night is a reminder about the passage of time and while each day things change there is reassurance in the constancy of the moon.
“The Moon is a white strange world, great, white, soft-seeming globe in the night sky, and what she actually communicates to me across space I shall never fully know. But the Moon that pulls the tides, and the Moon that controls the menstrual periods of women, and the Moon that touches the lunatics, she is not the mere dead lump of the astronomist…. When we describe the Moon as dead, we are describing the deadness in ourselves. When we find space so hideously void, we are describing our own unbearable emptiness.” D.H. Lawrence, Phoenix: The Posthumous Papers of D.H. Lawrence. pt.4, 1930
To discuss your needs for sizes, materials and framing contact me at: WayneEastep@gmail.com.
You can select configurations and see the framed print within various rooms at my online storefront: Eastep store
See a full selection of images from this series on my website: WayneEastep.com
Phases of the full moon during the partial lunar eclipse of the Beaver Moon aka a Blood Moon, November 19, 2021
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